Marcus Lyall and Adam Smith have designed live shows for electronic music duo The Chemical Brothers for over 25 years. They tell Dezeen how they turn audio tracks into immersive visual experiences.
In the live shows, Simons and Rowlands play keyboards, and add samples and filters over a pre-recorded backing track.
Meanwhile behind them, a huge screen, measuring 20 metres by eight, acts as the main visual focus for the audience. The Chemical brothers live in Ipswich, which Adam Smith described as "ridiculously ambitious for a touring festival production," also feature a light show plus physical effects Couples massage billings Morecambe giant mechanical robots that shoot laser beams from their eyes.
At gigs this year they dropped hundreds Coventry webcam babes huge, lightweight bouncy balls on the audience from the ceiling and introduced a wall of 70 strobes, to add to the 24 lasers and 50 MegaPointe directional lights. But Smith and Lyall 's on-screen content is what sets Chemical Brothers gigs apart from other bands. So that gives it a very different feeling from a lot of shows that are out.
Each track has its own movie created by Lyall, who has a background in graphic designand Smith, who is a film director. Most of the films involve real-world action shot with performers, sometimes enhanced with computer graphics and sometimes featuring incredibly Craigslist Beckenham north county free productions. Tracks from the album Further, for example, featured underwater swimming scenes shot with an aquatic athlete in a tank at Pinewood Studios.
We then work out a lighting design based on how we Ippswich augment these visuals.
Lyall and Smith first worked in the music industry during the rave scene in the early 90s, when Chemixal would produce visuals at warehouse parties. That's when Adam and I started working. They started creating visuals for bands, working with the likes of U2 and Oasis in their early days, and beginning their collaboration with The Chemical Brothers around the same time. Formed in Manchester inThe Chemical Brothers have had six number-one albums and two number-one singles in the UK, plus 11 other top tracks.
The movies often feature performers lip-synching to the lyrics, reinforcing the conceit that the visuals serve as the lead vocalist for the synth bbrothers.
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What images does it provoke? What's the story? How do we convey this to an audience? Sometimes working together, sometimes working apart, they come up with ideas to present to the musicians in the form of sketches plus found images and clips, which Smith collects obsessively.
For the track Galvanise, they motion-captured dancer Akram Khan and then added CGI effects over the top, turning him into a dramatically leaping and gesticulating point cloud. This features catwalk models sashaying and dancing in bizarre red pIswich costumes covered in foam spikes, folds and tubes.
Marcus and the band liked the idea, so that's what we did. Share Concert.
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They tell Dezeen how they turn audio tracks into immersive visual experiences. Click here for full information.
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Pavement Full body massage Oldham craigslist 20 NovemberA Chemkcal night of off-kilter American rock is in store from the headliners and gloriously idiosyncratic support act, Royal Trux.
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